This line consists of six different shades suitable for any skin type, both as standalone pigments and when mixed together.
Main tone for toning the areola area. In pure form, it is ideal for clients with Fitzpatrick skin type 3. Can be mixed with Dark Brick #2 and Muted Brown #3 to achieve caramel-rosy tones. Mixing in different proportions will yield a shade that perfectly matches the client's areola tone. Also suitable for camouflaging scars, stretch marks, and vitiligo when added to a neutral beige base. To reduce concentration, we recommend adding a diluent (2-3 drops).
This tone is perfect for Fitzpatrick skin types 2-3. We recommend trying a combination with Caramel #1 and Muted Brown #3; this combination is suitable for toning areolas of skin type 3. To reduce concentration, we recommend adding a diluent (2-3 drops).
The lightest tone in the areola line. In pure form, it is ideal for light areolas of Fitzpatrick skin type 1. To lighten the tone further, you can add a few drops of white pigment. We recommend trying combinations by mixing with Caramel #1 and Dark Brick #2 in different proportions. To reduce concentration, we recommend adding a diluent (2-3 drops).
Perfect for toning areolas in pure form for dark areolas of Fitzpatrick skin type 4. This tone can also be added in small amounts to darken the main pigment tone and to create shadows in the areola design during restoration from scratch. To reduce concentration, we recommend adding a diluent (2-3 drops).
Ideal for toning areolas in pure form for dark areolas of Fitzpatrick skin type 5. We recommend adding this tone in small amounts to darken the main pigment tone and to create shadows in the areola design during restoration from scratch. To reduce concentration, we recommend adding a diluent (2-3 drops).
The most saturated tone in the palette, perfect for toning areolas in pure form for dark areolas of Fitzpatrick skin types 5 and 6. This tone is ideal for creating shadows in the areola design during restoration from scratch; remember to use white pigment to highlight the volume of the image when using this technique.